Season 21, Episode 13
First aired 18
October 2016
We open with Dee flitting around the bachelor pad admiring
her new engagement ring. Mack, of course, is trying to talk her into swapping
it for a different one, i.e., one that doesn’t belong to someone else, but
she’s in love with this one and will not be dissuaded. She might change her
tune when she finds out that she may technically be engaged to David. Speaking
of Father Karate, he arrives, asking for the whereabouts of his ring, and
meanwhile Dee is trying to show him said ring, and despite Mack’s best efforts
to change the subject, talking about scones and coffee and James Joyce and so
on, Dee steamrolls over him and shows David the ring. David yells that it’s his, and glares at Mack, which causes Dee to glare at Mack, and Mack understandably
gets a sudden case of imminent-diarrhea-face.
Katy is sitting in her bedroom reading her So You Got Knocked Up pregnancy book,
which has become a supporting character on the show lately, when Pádraig bursts
in in a complete tizzy and insists she needs to stop being pregnant for a
minute and run over to Gaudi. She weakly protests that it’s her day off, but he
and his crazy eyes and aggressive beard won’t take no for an answer. I hope
it’s that he’s holding that possibly-fictitious Frances Brennan guy from last
season captive in the cellar until he agrees to put Gaudi on his TV show.
Back at the bachelor pad, Mack, who for this scene has
transformed into Joey from Friends,
is spinning a ridiculous and increasingly complicated story about the ring that
involves clowns and evil twins and a visit from Superman, but Dee and her
increasingly complicated hair are skeptical. As the saga continues, Mack adds
hand gestures and dance moves for increased believability, so it looks like he’s
attempting to hula the story to her, and the whole time David is hilariously giving
his angriest Barney Rubble death-stare. Just as Mack is about to get to the
part of the story with a talking dog from the future, Dee gets a call from
Katy, but she’s all, “I gotta call you back, there’s a hot mess evolving here
and I need to see how it ends.” Then she gets more info from Katy, grabs her
coat and briefcase and flies out the door, so clearly there is lawyering afoot.
After she leaves, David begins the process of murdering Mack, who offers to buy
the ring from him. There’s arguing, and eventually David reveals that it’s the
ring he’d been planning to propose to Gráinne with, but then she ruined
everything by breaking up with him. Thanks, Gráinne.
Of course, this does not explain why he’s been driving around with it in the
glove compartment of his truck all this time, but whatever. David insists that
it would break his heart to have to see Gráinne’s ring on Dee’s finger every
day, and while I might suggest that he try not looking at Dee’s finger all the
time, perv, Mack instead gives back
the ring and then makes his patented sad/confused/stubbly puppy face.
We cut to the community center, where Tadhg is unhappily
painting scenery while exchanging the evil eye with Peatsaí, who strolls over
to Frances and raves about how great she was in rehearsal today, though he’d
like her to play the scene with more seriousness. She clearly did not realize
she’d been playing it as a comedy, but agrees, and he offers to take her out
for a drink to discuss it with her, and also possibly rub his ponytail on her.
Tadhg offers to go with them, but Peatsaí says there’s no need, and besides,
Tadhg needs to be around when the rest of the set gets here, and right on cue,
the coffins start arriving. He and Frances exchange meaningful glances, and we
have sort of forgotten what this is all about, but we will be reminded later.
And now, in the industrial tribunal portion of our show,
Katy and her attorney Dee have arrived at Gaudi to threaten Jason with a
variety of lawsuits because he is in violation of the “You Can’t Fire Women
Just Because They’re Having Your Baby, Possibly” Act of 1927. It seems the
breaking news Pádraig delivered was that Jason has hired another chef, so of course
they all assumed the worst, but as he explains now, he’s just hired a backup
chef to reduce the amount of time morning-sickness Katy spends throwing up in
the soup and so on, and who will be prepared to step in when she goes out
on maternity leave. Stop trying to confuse us with your logic, Jason,
especially when Dee has clearly spent a lot of effort, like, looking stuff up
on Wikipedia. There’s a great moment when Dee goes completely RuPaul’s Drag Race on Jason, waving her
finger in his face and mmmm-HMM!-ing
her head side to side, which just makes everyone look confused. Jason walks
away, and Pádraig, sensing that the drama he put in the oven earlier is ready,
shows up to ask what happened, and everyone stomps off.
Backstage at the local production of Book of Moron, Frances and Tadhg are discussing the fact that he is
afraid of coffins these days, which we now kind of vaguely remember a
discussion of back at Peadar’s funeral. So many people on this show have such
complicated relationships with coffins that it’s hard to keep track of the
details. A worried Frances notes that Tadhg will be all alone with the fake
coffins when everyone leaves, but he tells her to stop molly-coddling him. She
better leave before he calls her an old hag and commands her to go burn in
hell. She leaves him the community center keys and reminds him to lock up on
his way out, and everybody leaves, but on his way out Peatsaí takes the keys
and harasses Tadhg some more, in the process leaning much closer into the
camera than we really needed to see. He locks the door from the outside as he
departs, hamming it up so the back row will know he’s very pleased with
himself.
In our rural interlude, crazy hermit Coílí Jackie brings day
laborer and teen stropbot Pól a sandwich, and Pól demonstrates that he is very
hungry indeed by shoving the whole thing in his mouth at once. Pól asks Coílí
Jackie why he’s always making his dog Spot bark, and CJ explains it’s to annoy
the neighbors, “Bloody Peatsaí and that wagon Mo.” And I have to say, I love
Mo, but “wagon” is my favorite Irish slang word, so this made me laugh hard. Also,
after months of referring to him as Uncle Pest, I was having trouble calling him
just plain Peatsaí, so I think I’ve found his new name. Anyway, Coílí Jackie
and Pól have a good laugh about what a pain in the arse Mo is, and they’re
becoming great mates, until all of a sudden they have a big fight over
absolutely nothing and now hate each other, because they are both terrible
human beings.
At her place, Mo is trying to work on the books before Awful
Jennifer arrives, but is distracted by the barking dog, and eventually shifts
into full wagon mode and throws down her pen and storms out the door to take
care of the situation. She’ll have to come up with a Plan B when she realizes
the dog is too big to fit up Coílí Jackie’s arse.
At Gaudi, Dee suggests to Mack that they take the ring into
Galway to get it resized today, but he informs her he just got a call from the
jeweler and discovered that, err, that particular ring can’t be resized because
of its molecular structure, and also, umm, it was recalled by the manufacturer
because it might contain toxic levels of, err, cobra venom. And some children
choked on it, too. Dee is confused, but after a year with Mack she’s learned to
accept a certain baseline level of confusion in her life, so she gives in, and
suggests they go to Expensive-O’s Jewelers, which is obscenely pricey, but they
make some lovely rings. Hopefully they also have a toilet there Mack can
throw up in.
On the other side of the restaurant, Katy and Jason are
arguing over who was more shocked by the pregnancy, and whose sperm impregnated
whom, and while Katy seems content to fight about this for the rest of their
natural lives, Jason tells her that for better or for worse, they’re having
this baby, so they need to be civil to each other. Clearly Jason does not know
how soap operas work. She threatens to keep him from ever seeing the baby, or
better yet, to go have an abortion, and she storms out.
Tadhg tries to leave the community center and can’t find the
keys, and then discovers the door is locked from the outside, and this is one
of those Irish/British TV tropes I always have to suspend my American disbelief
around, because in America we do not have doors that lock from the outside and
cannot be unlocked from the inside. Clearly it is a deadly epidemic on the
other side of the pond, though, as in the past 2 months I’ve seen it on EastEnders, Friday Night Dinner, Pobol y
Cwm, and now here. It seems particularly unbelievable to me that this large
multi-room community center has no other way out, and apparently not even a
window he can open and yell out of, but I suppose it could be worse for him, he
could be trapped in there with a bunch of coffins, and OH MY GOD THERE ARE A
BUNCH OF COFFINS.
Jason is chasing Katy down the street screaming at her not
to have an abortion, which is a good way of keeping a secret pregnancy secret.
She yells that she’s made her decision, and he tells her it’s not her decision
to make alone, so she runs into her house and slams the door behind her. He
bangs on the door and yells for her to open it, and based on the previous scene,
all he has to do is lock her in the house from the outside and not let her out
until the baby is born.
After the break, Coílí Jackie finishes arguing with Mo about
the barking dog just in time to catch Pól trying to break into the house. He
tries to throw Pól off his land, and when our favorite teen nightmare is
resistant, he produces a shotgun, which facilitates the process of Pól bogging
off. Pól throws a tantrum on the way out, and in the process of punching the
house, he unknowingly knocks a canister of poison into the dog’s bowl, which is
not good news for those of us who had just started becoming invested in Spot as
a character. Also, this is why you should not leave open containers of poison
right by your dog’s bowl.
In her living room, Katy is on the phone with England
scheduling an abortion for tomorrow morning as Jason continues to bang on the
door and shout for her to let him in. I’m very pleased with myself that I know
what “Oscail an doras” means, having
been taught “oscailt” in the Irish
lesson in which we learned about various kinds of stores being open and closed.
After she hangs up, she picks up the pregnancy book from earlier in the episode
and throws it across the room. Take that, book!
Outside, Jason stops banging on the door long enough to
ignore a phone call from Tadhg, and then flags down a passing Frances to tell
her that he needs her help because Katy is having an abortion in there!
Inside the community center full of coffins, panicky Tadhg
is pleading with Frances’ voicemail in a way that makes him sound more like a
murderous stalker than an imprisoned nutjob, and then his phone dies. He bangs
on the door and moans for help, like an angry ghost, and you can tell he’s
completely losing it at this point. Eoin may be gone, but his burning-coffin
legacy remains.
Mo is on the phone being harassed by Awful Jennifer about
the accounts when Coílí Jackie arrives down from the hills or wherever to bang
on the door and scream for her help because Spot is sick. Couldn’t Pól have
dumped poison in Jennifer’s food instead?
Dee is admiring her new engagement ring, but Mack looks like
he’s passing a kidney stone, because it cost €3500. This is why I suggest to
all my male friends that they marry a man instead of a woman, because there are
no obscenely expensive diamond engagement rings to buy. Mack should take a note
of that.
At Gaudi, Frances is trying to escape to the community
center to see what Tadhg is whinging about, but Jason can’t stop worrying about
the abortion Katy is apparently having next door. He should’ve known this was a
risk when he found out the Daly family home is also an abortion clinic. John
Joe interrupts this circular conversation to tell Frances that someone named
Joe Tom has passed away, but no one can reach Tadhg because his line is busy.
Frances sends him away with the community center keys while she continues
trying to peel Jason off the ceiling by reasoning that Katy certainly isn’t
going to have an abortion after all the money she spent on the fertility
treatments. There is conjecture that Katy is making up all this drama just to
manipulate Jason, which would certainly not be out of character for her, though
it doesn’t seem to be what’s happening in this case.
Tadhg seems to have calmed down a lot, which is disappointing,
because I’d been hoping by the time we saw him again he’d be clawing at the
walls and having a conversation with a paint can he’d named Matilda. John Joe
lets himself in and immediately starts banging on about coffins, but Tadhg, who
is completely over coffins at this point, tells John Joe that he can do the
funeral for Tom Tom or whoever himself because the undertaking business is his
now.
Katy is in her bedroom frantically packing her suitcase when
she runs across the pregnancy book again, which when she threw earlier apparently flew down the
hall, into the bedroom, onto the bed, and under a pile of clothes. Now that's talent. Looking at the cute-stroke-deranged-looking baby on the cover makes her
cry, and then experience shooting abdominal pains. That’s how I feel about
children, too. She tries to stagger around the bed to reach her phone on the
nightstand, but then she falls to the floor and lands quite gingerly on the
carpet, which we will roll our eyes at later when we see her injuries.
Mo comes upon Coílí Jackie burying Spot beside the road or
somewhere (?), and he delivers the classic line, “I told you he was sick.” He
assures her that Spot won’t be bothering her anymore, and she looks sad, and
wistful, and not at all like a wagon.
At the café, Mack tries to tell John Joe about the
engagement, but he’s too busy bragging about being the new owner of the
undertakery. They decide to go out on the town celebrating, and Mack decides to
test the waters by jokingly-but-not-jokingly referring to John Joe as his
father-in-law. This goes over like a poo in a swimming pool, so it seems this
will be drama for another day.
Meanwhile, Katy is still lying on the floor in her bedroom
unconscious and possibly dead or something! Hopefully she’ll wake up in time to
catch her flight to England, because her ticket is almost certainly
non-refundable and Aer Lingus are total sticklers about the rules.
Next time: Mo is
stuck in the middle of an altercation between Bloody Peatsaí and Coílí Jackie,
and whatever dreams she had for herself as a child, I suspect they did not
involve this.
Have you considered posting screencaps from the show to accompany the hilarious text? I think they would be particularly funny alongside your descriptions of their facial expressions.
ReplyDeleteThanks for reading and for your comment, Anonymous! (May I call you Anon?) I did in fact start including screencaps later on, after this one was published, and they're now a key part of my recaps! I agree with you that they make things more fun!
DeleteI see them now, maith thú!
Delete