Season 21, Episode 77
First aired 30 May
2017
I’ve unfortunately had to skip the recap for the previous
episode because time didn’t permit, i.e., I am still hung over from a week in
Cancún, but I’ll try to fill you in on the highlights of last episode as appropriate
during this one. We open at the B&B with a shot of a battlefield-quality
first aid kit, which we’re sure won’t
come back as a plot point later on, and Máire is tut-tutting over the fact that
Adam hasn’t spoken to his awful mother since last episode’s awful homophobic
nightmare blow-up. Of course anyone else on earth would consider not having to
deal with Penelope St James-Attenborough a good thing, but since poor Adam is
stuck with her as his mother, it’s causing him mixed feelings. He volunteers
that since his mother threw him out he’s been sleeping on Sorcha’s couch, which
is a sitcom I would pay to watch. Máire says it was awful listening to the
things Catherine said, which should be carved on Catherine’s headstone when she
dies. She’s in mother hen mode to Adam today, which is sweet to see, and he’s
so beautifully and heartbreakingly trying to be strong through the despair and
brokenness that it makes you want to forget all the terrible things he’s done,
by which I mean everything he ever did before last week. He says ambiguously
that he’s got a family event to go to today, which Máire assumes is a happy
party, and on her own way out the door, she
makes sure to point out the first aid kit she’s just going to leave right here on this table.
At the community center, there’s still tension between
Micheál and Tadhg over the big fight they had last episode about which one of
them is prettier, and also windmills. Micheál is talking to Mo and Tadhg is talking to Frances, and there’s “tell me more, tell me more”
parallel storytelling like in “Summer Nights” from Grease, but instead of going bowling in the arcade or getting
friendly down in the sand, there are people punching each other over windmills. Micheál explains to Mo that while the fact that it makes Tadhg insane is an added
bonus, the main reason he doesn’t want a windmill on his plot is that Séamus
gave it to him, and he’d never agree to have the land spoiled this way. Mo
agrees, although surprisingly she doesn’t seem to have a relevant Séamus saying
for this situation, such as “never go fishing with a red-headed woman you met
at a windmill.” Meanwhile, Frances is tired of hearing Tadhg carry on about
this nonsense and begs him to drop it, but he’s furious because Micheál
apparently went to the school (?) and subjected the children to his
anti-windmill propaganda (??), and he’s not going to let him win. I’m having
trouble picturing this school assembly: “Boys and girls, today we have local
kook Micheál Seoighe, Réailtín’s dad, to yell at us about windmills, which he
suddenly has an opinion about.” Dull Tony is hanging around for no apparent
reason, and when Micheál asks him if he could please move his car, which is
illegally parked across three handicapped spaces and a child’s leg, he’s
completely obnoxious about it and refuses. Tony really is a train running back
and forth between Semi-Comatose and Total Arsehole with no stops in between. Mo
sees this and decides she’s had enough of dating this boring jerk and is
looking for more of a sleazy jerk with a criminal record, so she asks Tony if
they can have a word later, at which point the Tony rail line will be extended
to Splitsville.